In the time of COVID-19, admit it- you have spent copious hours planning your vacation for when it’s safe to travel again. At 2:36AM Airbnb is my pornography of choice. I find myself lustfully lost looking at quaint cabins in cool, dark, forests fit for a cottage-core queen… or perhaps a penthouse downtown in a bustling city where I have to pay $38 for one watered down drink (It’s probably called The Rona, and it is a warm beer with a splash of Fireball in it- but quarantine is over, who cares!!!). My favorite dream vacation lands me by the ocean. Typically in these dreams (manifestations) I am with a Timothée Chalamet look-a-like, warm sand between my toes, and sea breeze salts the air of the sleepy town where I booked my vacation. I got this cute little beach bungalow that’s been decorated perfectly by Bobby Berk, and suddenly I also know how to cook and how to drink the correct amount of White Claw and Vodka as to not violently vomit the next day. A perfect Beach House fantasy. The Beach House directed by Jeffrey A. Brown is nothing like my fantasy, but it IS a perfect atmospheric, anxiety inducing, perfect for the summer film.
The Beach House begins like every sweet romantic-getaway flick, collegiate sweethearts Emily (Liana Liberato) and Randall (Noah Le Gros) are off to their parents beach house for the summer. Liberato and Gros carry this film exquisitely, they have chemistry and a sincerity that heightens throughout the film. Upon reaching their summer destination they meet their parents’ family friends Mitch (Jake Weber) and Jane (Maryann Nagel)- and the four settle in for some wine, good food, and an edible?? What follows is a slow but beautiful descent into confusion and chaos, with scientific and geological undertones thrown in for good measure!
It is relevant to note that The Beach House is helmed by the same team as Take Shelter and The Signal. If you are like me- the paranormal and science are very much interchangeable. When you tell me there are hundreds of bio-luminescent creatures in the ocean or that a bacteria infection can cause the brain to hallucinate giant spiders in the grocery store- these concepts VS being haunted by a deadly VHS tape feel EQUALLY terrifying. The Beach House expertly utilizes the unknown aspects of biology along with psychedelic interference to create an atmosphere where the viewer is truly unsure what is reality and what is a fever dream. The film has a small cast, just two main and two supporting characters- which is a testament to the powerhouse talent of the actors. You won’t get CGI monsters, this isn’t a found footage flick, and there is no hardcore gore or torture in The Beach House. What you will get watching, is a very real visceral and unnerving response that will sit with you after the credits roll. My recommendation? Don’t watch the trailer. When The Beach House drops on Shudder on July 9th, wait till sunset, pour yourself a beach cocktail, sit outside and feel the summer sticky air while nature goes dark around you- hold tight, and press play.
Director/writer: Jeffrey A. Brown
Producers: Andrew Corkin, Tyler Davidson and Sophia Lin
Music by: Roly Porter
Starring: Liana Liberato, Noah Le Gros, Jake Weber and Maryann Nagel
A lot of people are scared of monsters that go bump in the blackest of night. Ask a woman what she is most afraid of , and you will probably get an answer that is less supernatural- and more day-to-day threats of violence or control. Around the world in 2020, a woman’s reproductive right to choose is still heavily contested. The word abortion is spoken in whispers, and fiercely debated by politicians. When does life begin? Who chooses? Grief, guilt, and internal conflict are the themes in Paddy Murphy’s brilliant horror commentary The Perished.
Sarah Dekker (played by the talented Courtney McKeon) is a beautiful young college student in the middle of taking classes and dealing with a breakup. After a night of partying she realizes she is pregnant and has to make one of the hardest decisions a person can make. She needs to decide if she is ready for a child- she has less than supportive parents, no place of her own, and probably a bundle of debt. She decided to have an abortion and is almost immediately shunned by her mother and thrown out of her house. Luckily she has an extremely kind and supportive friend in Davet (portrayed by powerhouse Paul Fitzgerald) who agrees to take a road trip to a parochial house turned B&B to recover and get some clarity. Unbenounced to either, the house is the site of a mass grave dedicated to deceased infants.
The Perished is filmed and set in Ireland. It wasn’t until 2018 that the country overturned its ban on abortion. Ireland is a city seeped in both traditional Catholicism and a growing progressive movement of young people. Tumultuous arguments over political policy helped to bring women’s struggles to have full bodily autonomy to the forefront of the Irish landscape. Before the ban, women were forced to travel across the border, usually to the UK, if they needed an abortion procedure or they would face criminal consequences. This meant for low income women, or women without a strong support system would often be forced to give birth. This is traumatizing for everyone involved and sometimes women would feel like they were trapped and would make terrible choices to try and regain their lives back, such as abandoning their child or worse. The most innocent beings on earth are children, however there is a valid need to discuss the trauma on a woman forced to give birth as well. While Ireland has now removed criminal consequences, societal consequences remain worldwide.
The Perished is a horror movie in every sense of the word, it has terrifying paranormal elements, intense SFX with bloody body horror, all on top of the horror that exists when someone is filled with grief and guilt. What starts off as a slow burn turns into a nightmare that works as both a high quality horror film and a necessary societal commentary. You should leave this move feeling uncomfortable. Murphy has done an excellent job of creating the perfect blend of waking and sleeping terror while asking important questions about women’s rights. This film will have audiences re-examining what it means to have bodily autonomy and the consequences of suppressing it in 2020.
How sure are you, in this exact moment- that you know what is real and what is not? Now sit and examine why. What is your tether to reality? The Lodge takes its viewer on a claustrophobic, atmospheric, mind-bending, and brutally isolating ride. The Lodge is cold in every sense of the word and it is as relentless as the harsh, icy climate it’s set in.
The Lodge, directed by Severin Fiala and Veronika Franz (Goodnight Mommy, Field Guide to Evil), centers around new fiancé Grace, played by the incredible Riley Keough, and her soon to be step-children Aiden (Jaeden Martell) and Mia (Lia McHu) as they try to spend a warm Christmas together in the family cabin. Before we get too far into the film- the dedication and talent of these three actors is unparalleled. With a runtime of 108 minutes, we are with these three characters on their dark and devastatingly harrowing journeys that never let up, EVER. Riley Keough carries multiple plotlines at every given time, and the whiplash the viewer gets from one minute to the next is extremely uncomfortable- which is a testament to her absolute powerhouse of a talent. Jaeden (IT, Knives Out) and Lia (Enternals) not only hold their own, but deliver performances worthy and deserving of any award. Listen. Just give them all the awards. ALL OF THEM. I was so impressed with every actor in this film- to the point where I found myself hoping they received a solid 4 weeks of me-time and candy and happy things after filming because the way these characters handle trauma were UNPLEASANT to put it lightly.
In the first ten minutes this film tells you what it’s going to be. It warns you. There is no legevity, there is no breaks. It is a slow burn that eats away any good faith or hope that things will get better until it’s teeth gnawing on bone. The inside of this film is cold and that’s how viewers will feel. It’s disorienting the same way getting lost in a blizzard is. I’ve heard that in a heavy snowstorm it’s possible to get ice blindness- you lose all sense of direction. Because I like to scare myself with nature as well as cinema, I’ve read any account of Everest climbers I can get my hands on. There are many accounts of hikers slowly losing oxygen the higher they climb. I’ve read accounts of people calmly walking directly off cliffs, undressing due to hypothermia induced psychosis. The cold is unforgiving. The Lodge is Everest, for its characters and for its viewers.
The underlying theme that is always present right under the soft snow banks that pile on to the porch of the log cabin is trauma. Pick a trauma, it’s there. Much like Hereditary, another dizzying psychological beast- The Lodge brings in insentient objects and treats them as fully fleshed, living characters themselves. A dollhouse. A doll. The snow. The ice. The cabin itself. The other character that’s ever present is time. The Lodge is set like a linear film but behaves in a world where time doesn’t mean anything and is often misleading. When you cannot heal from trauma or you push it down, you become stuck in time. You are always sucked back into a dark place- like being trapped in a cold cabin in the middle of tundra with no heat and rising anxiety. The Lodge examines the human reaction to trauma, repressed emotion, events, and fears. Like ice in spring heading into summer, once you open a deep, emotional wound it’s hard to harden it away and once you do those feelings will overflow and melt eventually.
The Lodge is not for the faint of heart. I would say it’s the type of movie I loved, but probably won’t see again anytime soon, it’s that heavy. (And that is saying something from me, the queen of not being rattled by horror.) I would classify this movie as a psychological thriller, with slow burn raw horror aspects. Overall it’s a gorgeous, cruel, and isolating film, with one of the most talented casts and writers I’ve ever seen.
Going into Fantasy Island, I had zero idea what to expect, and that made the viewing experience simultaneously better and confusing! Directed by Jeff Wadlow and written by Christopher Roach and Jillian JacobsFantasy Island was loosely marketed as a horror version reboot of the classic 70’s Fantasy Island Show. It is not exactly what I consider horror. Like many of the most iconic Blumhouse features, Fantasy Island is a genre bending, fun, surprisingly touching, and action packed ride that is self aware and does not take itself too seriously.
On Fantasy Island, you can have your ultimate fantasy come to fruition- but as with any wish, often we imagine we want something so badly we cannot consider the possible consequences of getting what we want. In a nutshell this is the theme of the movie. Be careful what you wish for. What isn’t in any of the previews, is the intricate relationships that develop between our characters throughout the two hour adventure- nor those that become realized through what can only be described as ‘highly unlikely but specific situations’ or… fate.
Every single character in this film has a backstory and lineage as complex as that one 900,000 piece cat puzzle you decided to buy because ‘you were going to be really into puzzles in 2008.’ (Too Specific? Just me? Ok. Just me.) But really, the biggest game play in Fantasy Island is trying to guess ahead of the movie, who is related to who- and why. Often there so many major plot-twists in a matter of minutes, the viewer will absolutely get whiplash. It’s high-comedy masked with classic jump scares.
What isn’t laughable, is the sincere themes of regret and grief. Of course Fantasy Island is a game, but underlying is the relatable way each pawn will always fight an internal battle of doing what is right and doing what is desired. If you had one wish, and knew it could change the course of history of everyone around you- would you still make it? Would you bring back a loved one from the grave if it meant sealing the coffin of another? Would you make your wish frivolous? I believe any film can have a deeper take-away if you let it, and Fantasy Island is no exception. If you are looking for something serious, or something disturbingly scary- maybe this isn’t the film for you. But if you enjoy a fast paced, comedic meld of supernatural doings and a moderate dose of existential questioning all equipped with a talented and enthusiastic cast- take the 1 hour and 49 minute journey to Fantasy Island.
[First off- a disclaimer! My tastes in horror almost always include gore, torture, disturbing themes that probably would upset 99% of people, and dark comedy. Every film on this list comes with parental advisory, and probably check more trigger warnings than exactly exist. If that is not your thing, that is absolutely cool- but as an ultimate FanGhoul I didn’t want anyone to jump into this list without a warning.]
Happy Valentine’s Day! If you have a sweetie to snuggle up with, or just have a quiet night in planned with your cat and a large pizza (me)- here a few recommendations for what to watch! While some of these are genuine, many are tongue and cheek- but I do own every single film on this list, and would watch them on any holiday, but these all feature some aspect of love.
Life After Beth
Let’s start this list off with the vastly underrated dark comedy Life After Beth. Have you ever had your significant other die tragically? Have you ever tried to get over them but the guilt makes that seem impossible? Have you just wished “I wish they were here again” and then suddenly they rise out of their graves- literally- like the undead- and they want to get back together??? Haven’t we all. Starring Aubrey Plaza,Dane DeHaan, Anna Kendrick, John C. Reilley, and Molly Shannon this movie is packed with the kings and queens of comedy. Life After Beth is directed by Jeff Baena -(unrelated if you have Netflix, you’ll want to check you Horse Girl, also by Baena.)- Check our the trailer here:
The Loved Ones
Who doesn’t love a fun, nostalgic look back at Prom? It’s a night of romance, flirting, dresses, torture, kidnapping, and a disco ball! Wait, maybe that wasn’t your experience, that’s ok- no judging here. The Loved Ones is an Australian film directed by Sean Byrne that centers around Lola (Robin McLeavy) and her crush Brent (Xavier Samuel). If you love fucked-up extreme horror involving love struck teenagers, drilling holes into peoples heads, & a very codependent Dad- this is the film for you. Grab your Valentine, dress up for the prom, and traumatize them by showing them this movie. Watch the trailer from Paramount Pictures here:
Listen. Ryan Reynolds, Anna Kendrick, Gemma Arterton, Jacki Weaver– plus a talking cat and dog, and a refrigerator with happy severed heads. The severed heads talk too, obviously. This is a MANDATORY watch for horror fans, and Valentine’s Day is the perfect opportunity to watch Ryan Reynolds fall in love. Watch the trailer here, and be aware there so much going on in this film it would be impossible to describe it without major spoilers:
A wedding. A bride. Family dysfunction. The end of the earth. Melancholia is a beautifully dark film that asks the question, what would you do at the end of the world, and have you mended the relationships you care about? This is probably the one film I recommend for someone who wants an introduction to Lars Von Trier. Valentine’s Day seems like a good holiday to dive into an ultimate bittersweet, and upsetting film, right? Maybe not, but eventually you should give this a try. It’s exquisite, and it features on of Kirsten Dunst’s strongest performances of her career. Trailer:
The Human Centipede II
The second installment in Tom Six’s iconic masterpiece series is all about being a super fan of something you LOVE- and taking it way way way too far. . Brings a whole new meaning to ‘dancing cheek to cheek!’ If you know, you know. If you don’t. Skip this one. Aren’t sure? Check out the trailer:
Bliss is the ultimate psychedelic trip into an artist’s passion for her work. Directed by the iconic visionary Joe Begos and helmed by superstar Dora Madison, Bliss will take you on a wild ride- it’s literally 150mph the entire time and never lets up, which is part of why it’s so relentlessly engaging. Love doesn’t always have to be between to people, at its core this film centers around an artist’s love for her work and the lengths she will go to combat artist’s block and create some thing up to her vision of perfection. Check out the trailer:
A Serbian Film
Some people will do anything for the love and stability of their family. When a porn-star ages out and wants to quit the industry, he finds himself on one last job in order to make enough money to provide for his family and quit the business altogether. What follows is probably the most depraved sequence of events to make it one screen without FBI interference. Remember those warnings I mentioned at the beginning of this article? If you can think of a trigger- it is in the movie. Directed by the legendary Srdjan Spasojevic, this film is the only one on the list to boast a NC-17, and the only one to have had its unedited directors cut banned from several countries. For me it’s a fun date night movie, for you? Tread cautiously. Head the warnings and check out the Trailer below:
Sometimes you break up, you have this perfect relationship, it ends and the you get stalked by a really creepy-ass monster that wants to eat you- and then your ex, your family, friends, and entire town think you’ve probably gone insane. It just be like that sometimes. That’s the case in After Midnight. Directed by Jeremy Gardner and Christian Stella, this film explores the complexity of human emotion and relationships, plus you know- Cryptids! Besides just being a fantastic genre bending film- After Midnight was released today! So check it out now! Here is the trailer:
Ah. First comes love, then comes marriage, then come the honeymoon in a romantic cabin in the woods, and then finding you wife wandering around the woods in the middle of the night leading to a bizarre and terrifying possible body snatches scenario. Also… aliens? Directed by the incredible Leigh Janiak, Honeymoon is guaranteed to make you second guess your partner and probably everyone around you, also yourself. Here is the trailer:
My Bloody Valentine 3D
Yes… this is a reboot. Based on the 1981 classic, My Bloody Valentine follows the similar plot- it’s pretty simple, a tragic coal mining accident kills six people and lands one in a coma. Legend has it when the miner in the coma wakes up on Valentine’s Day, he immediatly murders 22 people. Now it’s years later, and his angry murderous ghost is back, and killing again. So why put this on the list? Hear me out. Jensen Ackles. J e n s e n A c k l e s. Not convinced? Check out the trailer:
A romantic getaway turns into a women’s worst nightmare when she is brutally assaulted and must fight for her life. In doing so she decides to take back her body and her autonomy- becoming the ultimate assassin. This is not a romantic movie. Not at all. I added it to the list because Coralie Fargeat has created this gorgeous revenge film that is unlike any others I’ve seen before. Starring an absolute superwoman, Matilda Anna Ingrid Lutz, this movie is all about empowerment and not letting anyone define you by what happens to you. It’s self-love. Extreme self-love. But absolutely worth watching with someone you care about. Trailer:
To round out this list of recommendations, let me introduce you to Gaspar Noé. To put it very simply, Climax, is less about love and all about carnal, feral attraction and lust. Remember in the 80’s broadway show A Chorus Line when one of the dancers asks, “if you couldn’t dance anymore, what would you do?” Well in Climax we meet a modern ballroom/vogue company in France at the end of a rehearsal. Next add in psychedelic fruit punch and what we get is 2 hours of increasingly disturbing, confusing, gorgeous, neon, sexual, and dark content. This is my recommendation for you if your Valentine’s night includes edibles. Here is the trailer:
This is the ultimate film about family loyalty and love. When I first saw this South Korean masterpiece in the theater I went into it completely blank, I hadn’t read the synopsis. I recommend you do the same. There is a reason Parasite has earned historic and prestigious acclaim, including an Oscar for Best Picture and Best Direction by Bong Joon-Ho. I will link the trailer but I challenge you to just take the dive and see the film without watching:
If you have made it through this list of films and I haven’t totally scared you off, I applaud you, now we are best friends. Let me know if YOUR favorite ‘romantic’ horror movies. Tweet Me!
Move over Pennywise! When it comes to Millennium Films’ The Dare, directed by Giles Alderson and written by Jonny Grant– it becomes evident fairly quickly that kids are the absolute worst and bring terror to anything the touch. (Okay, not ALL kids. But definitely THESE kids.) The Dare follows Jay (Bart Edwards) as he wakes up a-la SAW chained and beaten in a basement with three strangers.
What follows next is the unique origin story of Dominic (Robert Maaser) and his brutal rise to sociopathy. The Dare is a fantastic horror film, full of anxiety and gore- but it also serves as a commentary about intense childhood trauma and the cruelty of middle school kids. No spoilers here, but trauma is complex and The Dare might be one of the only films where morality is absolutely questioned in every scene and every plot development.
Horror films are often reflective of the world we live in, but gives the viewers a way to access complex emotions and actions in a heightened environment that becomes less personal and easier to engage in. Themes of childhood abuse by a parental figure are very difficult to present in a way that doesn’t cheapen the reality of trauma. Alderson and Grant have beautifully executed putting these jarring themes into The Dare without glorifying it or making trauma an excuse for violence. Adolescence is frightening, and this film has done an excellent job at using the genre as a parallel to growing up while making the viewer (re)consider the concept of ‘nature vs nurture.’
The incredible cast of The Dare includes horror powerhouse Richard Brake, alongside the brilliant Kat EvansRichard Short, and Harry Jarvis as young Dominic. If you are looking for a film that combines psychological torture, bugs, physical torture, bugs, terrifying adults, terrifying children, and bugs- THIS IS THE FILM FOR YOU!
The Dare is set for release and VOD on March 3rd, 2020.
‘Stories heal, stories hurt.’ To put it simply- melding the bridge between truth and fiction is the overarching theme of Guillermo Del Toro’s newest masterpiece, Scary Stories to Tell in the Dark. Based on the iconic horror classics by Alvin Schwartz, Del Toro (Pan’s Labrynth, The Shape of Water, Crimson Peak) along with André Øvredal (The Autopsy of Jane Doe, Trollhunter) at the helm as director have brought Scary Stories and all of our childhood nightmares onto the big screen in a mix of terrifying realism and good old fashioned nostalgia.
The film opens in the small town of Mill Valley on (fittingly) Halloween, during the year of Nixon’s election. We follow Stella (Zoe Colletti), an aspiring teen writer and her high school friends Auggie (Gabriel Rush), Chuck (Austin Zajur), and Ramón (Michael Garza)- a mysterious just-rode-into-town stranger- as they navigate away from high school bully Tommy (Austin Abrams) and into to the dark hallways of Mill Valley’s resident haunted house. Legend has it the house sits absorbed after the Bellow’s family left town after the tragic death of youngest daughter Sarah Bellows whose ghost still lingers waiting in the basement. No major spoilers- but the tension filled atmosphere created by Øvredal paired with the genuine performances by the cast, will transport you into a world that feels exciting, familiar, and terrifying all at once. After a little hide and seek- Stella comes across a book written by Sarah Bellows herself filled with- yes, scary stories. The viewer is transported quickly into a cat and mouse game of escaping each scary story, or becoming that story.
Here is where we start to get into the (toe)meat of the film, and what everyone who grew up going to Scholastic Book Fairs and devouring classic Nickelodeon shows like All That is waiting to hear about: THE MONSTERS. From the Jangly Man to the Pale Lady- Stephen Gammell’s monsters have come to life and are unnervingly lifelike. The undeniably horrifying creatures that haunted us from Schwartz’s books do not disappoint. In an age where CGI and horror often go hand in claw- Scary Stories instead utilizes incredibly crafted prothstetics on world class actors with unique talents like contortion in lieu of animation to bring breath into the deadly.
If you are only looking for a bunch of jump scares or lots of gore- this is definitely not the film for you. Scary Stories is an atmospheric mind meld with a deserved PG-13 rating, but keep in mind the 147 minutes is in no way a light children’s movie- despite being entirely adapted off of books we (probably shouldn’t have?) read as nine year olds. Scary Stories is a fantastic gateway film for viewers wanting to experience a strong, linear horror flick- but might not be up for two hours of Ari Aster or into the the endlessly disturbing visuals of Lars Von Trier. One other thing to note about Scary Stories is the beautifully subtle, but well done commentary on today’s American society, and how some things haven’t changed all that much from 1968.
Overall, Scary Stories To Tell In the Dark is a solid and easily rewatchable, dark, nostalgic, and gorgeous dive into what scares us and why. Part of what makes this film so powerful is the lesson that lingers when you leave the theatre. ”You don’t read the book. The book reads you,” is an epiphany Stella has while trying to figure out how to survive the stories that are written to kill her. As humans we are capable of creating narratives that either do good, or do evil. Does there come a time when we no longer control our own narratives? Are we destined to follow only one path, or can we start over? Is there a way to make reparations for our past, without erasing it? Who will tell the truthful tales of what happened to us once we are gone? All of these questions are asked of the viewer throughout the film, and that- is what is most effective and haunting about both Del Toro and Øvredal’s work. Phone a middle school pal, get a slushee, put on your favorite 90’s band t-shirt, and g watch Scary Stories to Tell in the Dark. Go for the monsters, leave with introspection. (Well… and monsters. You’ll probably leave with those as well, they are all really, really cool.)
Editor’s Disclaimer: On February 28, 2020 We became aware of severe abuse allegations against writer Eric England who is no longer credited for this film. It is my understanding that The Horror Collective have taken measures to no longer work with England and have issued an officialstatement. FanGhouling as a publication firmly stands against violence and takes these allegations seriously. For the remaining cast and crew who should have their work celebrated, this review will remain live on our site, but for the victim- we felt it was important to have transparency for what has gone on.
What could possibly be more terrifying than zombies, prom queens with telekinesis, clowns, and serial killers combined? The film industry. Greenlight directed by Graham Denman and starring Chase Williamson is a meta look into the struggle of breaking into the mainstream film industry, with several high quality horror troupe twists.
Greenlight follows Jack (Williamson) on his journey to becoming a ‘serious director’ on his first feature film. Before he can step on a set Jack must battle his own demons of insecurity, his girlfriend’s in-laws, and an industry standard that isn’t kind to independent creators. The film brings up the real fears every artist’s parent- “AN ARTIST???? YOU WILL BE HOMELESS” and the fears of every artist, that they will get sat down at a family dinner just to hear “AN ARTIST???? YOU WILL BE HOMELESS.” We see Jack on jobs he considers important for his resume and experience, but not working on projects that satisfy his desire to create the art he wants to make.
Without giving up major spoilers- a dream opportunity comes to Jack in the form of Bob Moseby (Chris Browning) and a script called The Sleep Experiment that needs a worthy director. For Jack, who is desperate for validation as a legitimate filmmaker, this is the ultimate way to break into mainstream filmmaking. It shouldn’t be a shock that he jumps at the opportunity despite red flags waving a banner saying ‘if it’s too good to be true, it probably is.’
Once filming begins, the atmosphere on set of The Sleep Experiment becomes increasingly hostile, heading with the ultimate betrayal: BLACKMAIL. Jack finds himself the director of Moseby’s very own snuff film. You will have to watch for yourself to find out what happens next, but there is a reason why Greenlight has already won several awards including ‘Best Thriller Feature Film’ at Shriekfest Horror Film Festival. Helmed with an extremely talented cast including queen of horror Caroline Williams combined with a refreshing and innovative plot horror fans will not want to miss this film. Luckily you won’t have to wait long to see this meta beast for yourself. Greenlight is set for release on February 25, 2020 from The Horror Collective.